Showing 45 items matching portland portrait photography
-
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Thomas Web Smith, Meek-Hamilton, 1880-1920
... : T.W. Smith 1871-72 Thomas Webb SMith mayor Portland portrait ...Frame - Golden timber/mottled. Inner frame - Gold embossed. Mount - Maroon flecked cardboard. Pen & Ink Sketch - Male - Facing left Grey jacket White shirt Grey tie Sort beard Full head of hair Silver mark on left eye and mouthFront: T.W. Smith 1871-72thomas webb smith, mayor, portland, portrait photography -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - William Melrose McDonnell and George Edwards, n.d
... Portland portrait photography... Lifeboat Portland portrait photography Admella medals ...Portland Lifeboat crew and part of the team that rescued survivors from the wreck of the AdmellaDigital photograph of William Melrose McDonnell (Ladybird crew, and Portland Lifeboat crew in 2nd Admella rescue attempt) and George Edwards (Ladybird crew). Head and shoulders photograph, wearing hats, dark jackets, Admella medals on McDonell's left breast, on Edwards right breast.admella, portland lifeboat, portland portrait photography, admella medals -
Glenelg Shire Council Cultural Collection
Photograph, 1992
... Archives Port of Portland Archives portrait photography ...Port of Portland Authority ArchivesBack: Black stamp- Feb 92 c/off "JA & JIWAN" - blue biroport of portland archives, portrait photography -
Glenelg Shire Council Cultural Collection
Photograph, n.d
... Port of Portland Archives portrait photography ...Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, portrait photography -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Captain Ian Baird, n.d
... Archives portrait photography Captain Ian Baird ...Port of Portland Authority archivesFront: (no inscriptions) Back: Capt. Ian Baird (blue pen, lower left)port of portland archives, portrait photography, captain ian baird -
Glenelg Shire Council Cultural Collection
Photograph, n.d
... Archives portrait photography ...Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, portrait photography -
Glenelg Shire Council Cultural Collection
Photograph, n.d
... Archives Port of Portland Archives portrait photography ...Port of Portland Authority Archivesport of portland archives, portrait photography -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - David Milner, Tugmaster, n.d
... of Portland Authority archives Port of Portland Archives portrait ...Port of Portland Authority archivesFront: (no inscriptions) Back: Dave Milner (blue pen, lower centre)port of portland archives, portrait photography, david milner, tugmaster -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - David Milner, Tugmaster, n.d
... of Portland Authority archives Port of Portland Archives portrait ...Port of Portland Authority archivesFront: (no inscriptions) Back: Dave Milner (blue pen, lower centre)port of portland archives, portrait photography, david milner, tugmaster -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - portrait of a woman, n.d
... of Portland Archives portrait photography woman ...Port of Portland Authority Archivesport of portland archives, portrait photography, woman -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - David Milner, Tugmaster, n.d
... of Portland Authority archives Port of Portland Archives portrait ...Port of Portland Authority archivesFront: (no inscriptions) Back: Dave Milner (blue pen, upper centre)port of portland archives, portrait photography, david milner, tugmaster -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - David Milner, Tugmaster, n.d
... of Portland Archives portrait photography David Milner tugmaster ...Port of Portland Authority archivesFront: (no inscriptions) Back: Dave Milner/ Tugmaster (blue pen, centre left)port of portland archives, portrait photography, david milner, tugmaster -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Jack Stanford and Alex Kinnard, n.d
... Archives portrait photography Jack Stanford Alex Kinnard ...Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, portrait photography, jack stanford, alex kinnard, presentation -
Glenelg Shire Council Cultural Collection
Photograph, 1934
... Celebrations in Portland. Esther Winifred Hall photography Portland ...Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing two women in full-length dresses, posed indoors, standing on a patterned carpet before striped wallpaper. The woman on left is holding an open fan and is wearing a bonnet. The woman on right is out of focus and blurred.esther winifred hall, photography, portland centenary, 1934, portrait photography -
Tarnagulla History Archive
Photograph: Colonial Bank of Australasia (later Union Bank) in Tarnagulla, June 1866
David Gordon Collection. There were four banks in Tarnagulla at one stage, but two - the National Bank and the Bank of Australasia - were open for a short period only. The single-storey brick building at far left was built in 1859 and used by the Union Bank until 1888, and was later renamed 'Lochcarron' and used as premises by doctors and dentists. The two-storey building (right) was built in 1866 by the Colonial Bank of Australasia. Before this, the site had been occupied by Foo's shop. Whilst it was being built, the Colonial Bank operated from Company's Hotel (later known as Burstall Hall and the Council Chambers). The double-storey building in this image was used by the Colonial Bank from 1866 until 21st February, 1888. The premises were sold to the Union Bank for £2500. The Union Bank moved in and commenced operations on 6th June 1888, continuing until 1942. The building was later used as a general store until the 1990s. Both buildings are now private residences. This image was created by Aime Marchand in June 1866. Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honourable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. -
Tarnagulla History Archive
Photograph: Alluvial workings between Gladstone St and Commercial Road, Tarnagulla, June 1866
David Gordon Collection. This image was created by Aime Marchand in June 1866. Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honourable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. -
Tarnagulla History Archive
Negative: Copy of Marchand image of Tarnagulla Courthouse, Court House, June 1866 (original image)
Murray Comrie Collection. This photograph is a reasonable copy created from an older original. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies.A black and white negative image depicting the Court House in Tarnagulla. Copy of the photogrpah made by Aime Marchand.tarnagulla, courthouse, justice, policing, law, buildings, views, victoria street -
Tarnagulla History Archive
Photograph: View of Tarnagulla, June 1866
Murray Comrie Collection. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph depicting a view across Tarnagulla in June 1866.tarnagulla, views, mining, aimé marchand, photographers -
Tarnagulla History Archive
Photograph of Tarnagulla Council Chambers, June 1866
Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. The building was originally Company's Hotel, then used as temporary premises by the Colonial Bank during construction of the bank's own premises, then Borough of Tarnagulla Council Chambers and Mechanics Institute. Also known locally as Burstall Hall from c1960 following a donation of maintenance funding from the Estate of the late RH Burstall. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph the Tarnagulla Council Chambers in June 1866. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers -
Tarnagulla History Archive
Photograph of Commercial Road, Tarnagulla, June 1866
Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the roof of the Council Chambers. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers -
Tarnagulla History Archive
Photograph of Commercial Road, Tarnagulla, June 1866
Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Thomas Comrie's Exchange Store was at south end of Commercial Road, it has since been destroyed. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the Wayman Street corner, opposite Thomson and Comrie's Exchange Store (at south end of Commercial Road).tarnagulla, views, thomas comrie, comrie exchange store, commercial road, local people, residents, aimé marchand, photographers -
Tarnagulla History Archive
Photograph of Commercial Road, Tarnagulla, June 1866
Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Victoria Hotel and Theatre is the stone building at centre right. On the immediate left is Pierce's Southern Cross Store, later to be incorporated into the flour mill complex. The gentleman in the white hat in the group on the left is George Thomson. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking south down Commercial Road, Tarnagulla from near the Victoria Hotel and Theatre, at northern end of Commercial Road.tarnagulla, views, victoria hotel and theatre, commercial road, local people, residents, aimé marchand, photographers -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Town Clerks of Portland: T.E.C. Henry & E.N.T. Henry, 1960s
Portland Town CouncilTwo framed black and white photographs. Left: T. Edward C. Henry Right: E. Noel T. Henry Head and shoulders wearing tweed suit, Wearing official looking robes, striped tie, round-rimmed glasses, dark-rimmed glasses. moustache.Front: Top centre: Town Clerks of Portland Bottom left: T. Edward C. Henry, LS, CE, Council Service - 1888 to 1946 Town Clerk - 1888 to 1938 Bottom right: E. Noel T. Henry, MBE, Hon F.I.M.A., JP, Council Service - 1917 to 1967 Town Clerk - 1938 to 1967 Bottom: A record of Municipal Service of 107½ years by father and son. Back: Yellow sticker, numbered 3004.portland town council, administration, local government, official portrait photography -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - grand children of Stephen George Henty, 1934
... Celebrations in Portland. portrait photography Esther Winifred Hall ...Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing group of 5 people (4 women, 1 man) posed on studio setting. Women in centre is seated, the others are standing. The women in full-length dresses, the 3 standing are holding open fans.Front: (no inscriptions) Back: (Many inscriptions, including:) "Grand children of Stephen George Henty 1934."portrait photography, esther winifred hall, henty, portland centenary -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - portrait of a woman, 1880s
Displayed in History House.Black and white ambrotype image of a seated woman holding a small book in her left hand. She is wearing a high-necked black dress with small white collar. At her throat is a broach and at her waist are two button closing the front of her jacket. Both have been tinted gold. Framed in gold mount with a leather-bound hinged case with cream velvet lining.ambrotype, studio portrait, portrait photography -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Councillor Hill, 1926-1929
... of Portland (1864-1949) civic photography portrait councillor City ...Displayed in History House. Borough of Portland (1864-1949)Large black and white photograph of a man with receding grey hair and a neat rounded white beard and moustache. He is wearing a three-piece suit with a dark tie and white shirt, and holding folded white paper in his left hand. Mounted in a wood veneer matt in a wide wooden frame, under glass.Front: Cr Hill/August 1920-1932/Mayor 1926-27, 1928-29 (engraved on plawue, lower centre frame)civic photography, portrait, councillor, city of portland -
Glenelg Shire Council Cultural Collection
Photograph, Charlemont, Sydney and Melbourne, [Portrait of a young man], n.d
Black and white photograph. Studio portrait, half-length, of a young man with a moustache, wearing a suit with a posy on his collar.Front: Charlemont Sydney/ and/ Melbourne/ BY APPOINTMENT TO HIS EXCELLENCY THE GOVERNOR. (gold lettering, lower edge) Back: (no inscriptions)portrait photography -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Four Portraits, n.d
Black and white photograph, framed. Frame: moulded cream. a.) MR. R LOENG 91, MRS H MCDONALD 96, MR J. RUNDELL 102, MR. A MARTIN 92 b) no titleportrait photography -
Glenelg Shire Council Cultural Collection
Photograph, Studio Portrait of Vida Goldstein, n.d
From Mrs Helen Lindsay Mc Donald, family descendant. Vida Goldstein was a strong advocate for women's rights and equality. She was the first woman to stand for parliament in the British Empire.Black and white studio photographic portrait of a woman in late 19th century dress. She is central in the photo, standing next to balustrade and greenery, and in the background is a painted backdrop.Front: Front- Yeoman and Co 107 Swan Street, Richmond Back- 'Vida Goldstein' - Printed in texta on stellotape.portrait photography, vida goldstein, suffragette, equality -
Glenelg Shire Council Cultural Collection
Negative - Ambrotype, Mr. John Pearson, c. 1890
Tinted portrait of a seated man. He is turned to the right, and has his left hand resting on a table, loosely holding a pair of folding spectacles (tinted gold). He is wearing a three-piece suit, black cravat with a small knot, checked trousers and has curly hair and long side burns.Front: (no inscriptions) Back: Mr. John Pearson, Percy Street, Portland (black fountain pen, centre). This photo came from Windsor Cottage. John pearson and Captain Fawthrop were great friends. They are buried together in the Queensland Cemetry (black ink, lower centre). Harry Ward Goldsmith, late of Portland (pencil, lower centre).ambrotype, photography, james fawthrop, admella, portrait photography